Philip Marlowe, Raymond Chandler’s most famous character, is something of a mystery. He muddles his way through investigations, doing his best to make sense of an unfair and world, but what we know about Marlowe the man fits in an ash tray in a two-bit bar somewhere in the L.A. basin. Trouble Is My Business pulls together four stories that, read together, uncover some of Marlowe’s character.
In the title story, Marlowe is hired to reveal the gold-digging nature of a woman chasing a rich man’s son. Though he doesn’t trust her, he’s also sympathetic to a woman trying to survive in a complicated world — and by the end things get way more complicated than they first appeared. In the second story, Marlowe agrees to help a friend make a little money using a quasi-legitimate scheme. His friend ends up dead and Marlowe’s framed for the murder. The third story sees Marlowe working with another friend, this time a woman on the trail of some insurance money for stolen pearls. Finally, in “Red Wind,” on impulse he helps a woman escape the police and ends up shielding her from her dead lover’s perfidy.
The moral code that emerges from these vignettes is one that says you do a lot for friends — even when it sounds like a bad idea. It assumes women are innocent or at least deserving of protection, never asks for more than fair compensation, and often gets less. Sometimes Marlowe’s pronouncements clang against modern ears, but I don’t think he (or Chandler) cares. He lives his life as he sees fit and expects no sympathy.