The authors of Disrupting Class describe the goals of education in this country as:
- Maximize human potential.
- Facilitate a vibrant, participative democracy in which we have an informed electorate that is capable of not being “spun” by self-interested leaders.
- Hone the skills, capabilities, and attitudes that will help our economy remain prosperous and economically competitive.
- Nurture the understanding that people can see things differently—and that those differences merit respect rather than persecution.
For me these ring true, in terms of my experience of my own education, of my values for our nation’s children, and of my hopes for my own work as a teacher. Nevertheless, it’s not clear that it is possible to succeed at all these goals at once, or even just one of them.
Dana Goldstein‘s history of teaching in the United States shows the roots of these goals and how they played out over time in our public education system. It’s a fascinating look at the evolution of the profession and the expectations we have of our schools.
Goldstein is decidedly sympathetic to teachers, who often feel trapped in an at least three-sided vice of parents and students, administrators, and governmental mandates — many unfunded. Read The Teacher Wars if you want to understand some of that feeling and how teaching got to be that way. You might also gain insight on conflicts between teachers’ unions and school boards, between neighborhoods and education reformers, between testing and accountability, and other education-related controversies.
Educational culture in this country does not have to be the way it is. Reading this book will help you understand it better. And that should be the beginning of changing it for the better.
In no particular order:
The Teacher Wars — Dana Goldstein (I’m about 3/4 of the way through, but haven’t found the time to finish.)
Creative Schools — Ken Robinson and Lou Aronica
Thinking, Fast and Slow — Daniel Kahneman (I’m somewhere in the middle of this brilliant book.)
Three by Cain — James M. Cain (I’ve finished one of the three short novels in this compilation.)
For White Folks Who Teach in the Hood . . . and the Rest of Y’all Too: Reality Pedagogy and Urban Education — Christopher Emdin
How We Learn — Benedict Carey
The Underground Railroad — Colson Whitehead
How to Win Friends & Influence People — Dale Carnegie
Mathematics in Western Culture — Morris Kline
Mathematics: The Loss of Certainty — Morris Kline
Something by Elmore Leonard
The Round House — Louise Erdrich
Scorecasting: The Hidden Influences Behind How Sports are Played and Games are Won — Tobias Jacob Moskowitz and L. Jon Wertheim
My soon-to-be 10 year-old nephew wanted to be sure that the adults in the house knew who the milk and cookies were for.
Adam Johnson tells this story of love and identity inside an amazingly real-feeling North Korea, neither glossing over nor glorifying atrocities and human rights violations. Instead, he immerses the reader in a culture that feels upside down – where children clean chemical vats and adults disappear for days, conscripted off city streets to work in rice paddies; where parents teach their children that, even though sometimes you have to denounce each other publicly, you’re still holding hands inside; where a father and husband can be killed and replaced by a stranger overnight, and the family will barely acknowledge the change. Always, on every street and in every home, loudspeakers tell the “Dear Leader”-approved news and warn of imminent invasion by the decadent Americans. Disconnecting your loudspeaker is a serious offense; citizens are encouraged to rat out their neighbors. After all, something may be wrong with the speaker, and you wouldn’t want them to miss an emergency announcement.
This is a powerful, sad, and deeply affecting novel with moments of transcendent beauty. It reminds me of why I loved books in the first place.
New addition: The Orphan Master’s Son (#11), by Adam Johnson
1 One Hundred Years of Solitude – Gabriel Garcia Marquez
2 Beloved – Toni Morrison
3 To the Lighthouse – Virginia Woolf
4 Mrs. Dalloway – Virginia Woolf
5 Molloy – Samuel Beckett
6 Lolita – Vladimir Nabokov
7 Underworld – Don DeLillo
8 Middle Passage – Charles Johnson
9 White Noise – Don DeLillo
10 Middlemarch – George Eliot
11 The Orphan Master’s Son – Adam Johnson
12 Wuthering Heights – Emily Bronte
13 Suttree – Cormac McCarthy
14 Housekeeping – Marilyn Robinson
15 Love in the Time of Cholera – Gabriel Garcia Marquez
16 The Brother’s Karamazov – Fyodor Dostoyevsky
17 The Plague – Albert Camus
18 Heart of Darkness – Joseph Conrad
19 Darkness at Noon – Arthur Koestler
20 Lord Jim – Joseph Conrad
21 The Poisonwood Bible – Barbara Kingsolver
22 The Great Gatsby – F. Scott Fitzgerald
23 Native Son – Richard Wright
24 All Quiet on the Western Front – Erich Maria Remarque
25 Jane Eyre – Charlotte Bronte
26 On the Road – Jack Kerouac
27 The Invisible Man – Ralph Ellison
28 Ceremony – Leslie Marmon Silko
29 Wolf – Jim Harrison
30 Narcissus and Goldmund – Herman Hesse
31 The Master and Marguerita – Mikhail Bulgakov
32 Blindness – Jose Saramago
33 A House for Mr. Biswas – V. S. Naipaul
34 Written on the Body – Jeanette Winterson
35 The Glass Bead Game (Magister Ludi)- Herman Hesse
36 The Grapes of Wrath – John Steinbeck
37 Blood Meridian – Cormac McCarthy
38 The Intuitionist – Colson Whitehead
39 The Bone People – Keri Hulme
40 Of Mice and Men – John Steinbeck
41 The Tin Drum – Gunter Grass
42 Pride and Prejudice – Jane Austen
43 One Day in the Life of Ivan Denisovich – Alexander Solzhenitzen
44 Gravity’s Rainbow – Thomas Pynchon
45 Motherless Brooklyn – Jonathan Lethem
46 Americanah – Chimamanda Ngozi Adichie
47 The Brief Wondrous Life of Oscar Wao – Junot Díaz
48 1984 – George Orwell
49 The Fortress of Solitude – Jonathan Lethem
50 To Kill a Mockingbird – Harper Lee
51 Old School – Tobias Wolff
52 The Uncomfortable Dead: (what’s missing is missing) – Paco Ignacio Taibo II & Subcommandante Marcos
53 Huckleberry Finn – Mark Twain
54 Mao II – Don DeLillo
55 Catcher in the Rye – J. D. Salinger
56 A Confederacy of Dunces – John Kennedy Toole
57 The Scarlet Letter – Nathaniel Hawthorne
58 Frankenstein – Mary Shelley
59 Anna Karenina – Leo Tolstoy
60 As I Lay Dying – William Faulkner
61 The Red Badge of Courage – Stephen Crane
62 A Tale of Two Cities – Charles Dickens
63 Neuromancer – William Gibson
64 For Whom the Bell Tolls – Earnest Hemingway
65 Generation X – Douglass Copeland
66 Brave New World – Aldus Huxley
67 The Chosen – Chaim Potok
68 Doomsday Book – Connie Willis
69 Corelli’s Mandolin – Louis De Berniere
70 Fall on Your Knees – Ann-Marie MacDonald
71 Middlesex – Jeffrey Eugenides
72 The Dog of the South – Charles Portis
73 All the Pretty Horses – Cormac McCarthy
74 Dr. Zhivago – Boris Pasternak
75 The Crying of Lot 49 – Thomas Pynchon
76 Fahrenheit 451 – Ray Bradbury
77 Gorky Park – Martin Cruz Smith
78 White Teeth – Zadie Smith
79 The Stone Canal – Ken MacLeod
80 Schizmatrix – Bruce Sterling
81 The Left Hand of Darkness – Ursula K. LeGuin
82 The Loved One – Evelyn Waugh
83 The Metamorphosis – Franz Kafka
84 The Fall – Albert Camus
85 Vineland – Thomas Pynchon
86 Straight Man – Richard Russo
87 A Small Death in Lisbon – Robert Wilson
88 Disgrace – J. M. Coetzee
89 Kindred – Octavia Butler
90 The Road – Cormac McCarthy
91 The Palace of Dreams – Ismail Kadare
92 The Street – Ann Petry
93 The Feast of Love – Charles Baxter
94 Fear of Flying – Erica Jong
95 Clockwork Orange – Anthony Burgess
96 The Old Man and the Sea – Earnest Hemingway
97 The Star Fraction – Ken MacLeod
98 He, She, and It – Marge Piercy
99 The Dispossessed – Ursula K. LeGuin
100 The Shipping News – E. Annie Proulx
101 The Parable of the Sower – Octavia Butler
Okay, I admit I didn’t want to drop The Parable of the Sower all the way off my list, so this list becomes “top novels,” instead of “100 top novels.”
This begs the question, why not add more than 101? Why not make it 200? or 500? So far, the answer is that I don’t want to spend the time on that. Maybe in the future.
Michelle Pacansky-Brock had my attention from the first paragraph of the introduction, where – in response to comments like, “Students today are so unmotivated,” “Students today don’t care about anything but their grades,” and “Students today feel entitled and aren’t willing to work hard” – she asks, “Are our students the problem? Or is it our [higher education’s] instructional model?” By shifting the responsibility to us, teachers and colleges, she wins an ally with me.
The foundation of her work is the idea of moving from “teaching to learning,” a phrase taken from a 1995 article by Barr and Tagg that, in part, means students learn more when they are active participants in their learning, rather than passive listeners to their professors. In addition, Pacansky-Brock leverages John Medina’s Brain Rules, focusing on three that she believes are “relevant for 21st-century college educators”: exercise boosts brain power; sensory integration; vision trumps other senses.
Not only, she argues, can technology help make learning more “brain-friendly” through strategies like those, it’s also the language that today’s college student speaks. Citing numerous statistics – like, 85% of 18-29 year olds in the U.S. have a smart phone – Pacansky-Brock supports the idea that “’online’ is a culture to young people. Yet to most colleges, it is a delivery method.” In sum, teaching with emerging technologies makes sense on a lot of levels and most colleges are behind the curve.
What follows is mostly practical advice for getting on the technology bus, based in experience and experiment. As a classroom teacher at both community college and state university levels, Pacansky-Brock been willing to try a lot of things. Readers benefit by learning from both her successes and failures.
Chapter one discusses the basics of preparing your students for a participatory classroom that uses significant technological tools. Because “students are trained to expect” a hierarchical classroom environment, “when an instructor embarks upon an instructional model that assumes a flattened relationship between student and instructor, like the flipped model, the must be communicated and discussed so it’s clear to students.” They need to understand why you are doing what you’re doing and how the pieces fit together to create the community of learners that you are trying to create.
This first chapter also includes issues like classroom philosophy, community ground rules, student privacy, copyright in the electronic world, and even a bit on the linking versus embedding in your online materials. Chapter two spends more time on participatory pedagogy and some basic tools you can use to foster it. In chapter three, she spends time on the “essentials” – smartphone, webcam, microphone, screencasting software, online content hosting, and more. Chapter four goes into more detail about tools for creating compelling visual content, from infographics to video conferencing to a “liquid” syllabus. Chapter five delves into the tools for participatory learning, including social media, online bulletin boards, online meetings, digital polling, and more on content curation. Through it all, Pacansky-Brock shares what she does, elaborates other options, and discusses the pros and cons of both. Her ideas, tips, and stories make what might seem like a list of apps into something like an annotated bibliography.
The book’s last full chapter is an extended argument for the potential of the internet to innovate and create new and better learning opportunities for students. Pacansky-Brock advocates against using your college’s Learning Management System (LMS) and describes her own evolution on this topic:
When I started teaching online in an LMS, I was disappointed in the quality of the learning environment I had developed for my students and felt constrained by the features available to me. By experimenting with new tools, I discovered different ways of engaging my students and opportunities for being present in their learning. But I still felt the need to use an LMS, largely because of concerns about violating the license for the images included in the textbook I was using, as well as my (former) institution’s expectation for faculty to teach with institutionally supported technologies. I imagine many instructors can relate to that experience.
I certainly can. But there is more. The extensive use of the LMS in higher education, she writes, “may be contributing to a gap between the skills college graduates need and the skills they have.” The LMS provides privacy, control, and less distraction, but it cannot keep up with the speed and scale of innovation on the open internet. Using an LMS also prevents students from developing a professional web presence. In fact, content developed by students during the course disappears when the course is over – essentially, their work inside the LMS is disposable. Working in the open internet can motivate students to produce higher quality work, because after all, “the internet is forever.”
Pacansky-Brock does not think the internet is a panacea for educating students. She sees the advantages and disadvantages of learning through the internet and believes that technology can be used to make learning more human and more participatory. She is thoughtful and thought-provoking – as a teacher, I was constantly taking notes for my own classes, sparked by ideas and stories in the book. I will be referring to it frequently as I continue to refine my teaching practice.
You can find out more at: http://teachingwithemergingtech.com/
Agatha Christie is the master of the mystery novel. In The Murder of Roger Ackroyd she delivers another brilliantly clever plot told in subtle, succinct prose that leads you down every garden path on the way to the surprising resolution. I read this one because it made #1 on the Guardian list of the best Christie novels. It lived up to the billing.